Category: Indie Author Life

Using Science in Worldbuilding: Sand, Silica, and Surfing Jinn

Published on by Leigh

When I first started imagining the jinn realms, I didn’t want to lean purely on folklore because if jinn were around in the time of Alexander the Great (as they were), then surely they would have evolved just as much as the human world did, right?

I love legend as much as the next fantasy writer, but I also love grounding my magic in something that feels like it could be real if the stars aligned, and well, magic really was running rampant. Enter science – the salvation and bane of my existence.  

So – trick question – what’s abundant in the regions traditionally associated with jinn?
Sand.
Endless, shimmering, heat-blasted sand.  And camels, but more on those in a later post.

Sand means silica, and silica has hi-tech potential. Years ago, I saw this video, and sometimes a spark of inspiration isn’t recognized as such until SUDDENLY IT IS!  I had the seed of a civilization whose technology wasn’t based on metal or electricity, but on heat-shaped glass, crystalline structures, and silica-based energy systems. A world built from the very substance that humans have access to as well, but the jinn are way ahead of us.  I wanted the world to feel familiar and possible, and glass gives me that.

The next question was: Keep the flying carpets?

Of course, when you’re drawing inspiration from a region filled with deep folklore, you bump into those classic motifs:  Flying carpets. Bottled spirits. Mischievous wish-granters.  I’ve already accounted for the last two, but those carpets were a hurdle…because some legends slide naturally into a fantasy world and others…can feel trite.

But that’s what fantasy writers do.  We make those hard decisions:  Keep what readers expect, or let it go if it doesn’t serve the story?

Flying carpets have a certain charm — portable, whimsical, and instantly recognizable. But in a silica-tech world? Did they fit? Would they feel too easy?  Too literal?

Then I realized something that Pops has told Ari dozens of times:

Stories don’t appear out of nowhere. They’re rooted in some real observation, however distorted.

Which got me wondering…

What If the Flying Carpet Myth Started With the Jinn Themselves?

Maybe humans glimpsed something extraordinary and explained it the best way they could.

A distant shimmer.
A figure gliding over the desert.
The mirage-like wave of dunes moving under something that shouldn’t have been able to move that way.

“Flying carpet,” they might have said, because what else is flexible enough to float and glide over terrain?

But what if they weren’t flying?
What if they were surfing?

Not on water, but on sand.  Using what was available because of their magic and affinity with fire?

Suddenly, the origin of the flying carpet makes perfect sense (if you can get over that whole magic thing – which I have no problem doing).  Remember – magic was once the default answer for anything that didn’t make sense!

Humans saw a silhouette moving across dunes fast and smooth enough to defy belief. Imaginations did what imaginations do – related it to something familiar (carpet) and then it got a little magical glow up – poof! – genies on flying carpets!

Science + Myth = My Favorite Kind of Magic

At the end of the day, that’s the sweet spot for me in worldbuilding: the place where science deepens myth rather than replaces it – and somehow makes everything seem possible.

It’s also pretty cool that I can make surfing jinn a thing.

How Myths Shape My Worlds

Published on by Leigh

I was that kid in elementary school who couldn’t wait for the Mythology Unit to come around. In fact, Apollo was perhaps my first crush, or maybe it was Justin from The Secret of N.I.M.H. It was a long time ago.

But just because I’m a bit fuzzy on the timeline doesn’t mean those two things didn’t leave an enormous impact on my life. My fascination with mythology has always been present, carrying me from Mount Olympus to Joseph Campbell and the archetypes of Carl Jung. These days, I usually begin a book with a specific geographic region in mind. Then I’m off on a hunt for myths and legends that might make for an interesting adventure for my main character in the Relic Hunter Series.

When I first started writing, I set my story in familiar territory to me: the Jersey Pines. Being a Jersey girl made the location feel personal, but I still needed a reason to send a disgruntled archaeologist desperate for a fresh start wandering through the Pines. I had a vague notion about healing trees, so I went searching for more information, knowing I wanted to ground my stories in legends. I often say that I use the setting and the mythology as the structure to hang my characters on, and that’s as true today as it was the first time I flipped open my laptop.

I don’t always stay true to the legends. That’s one of the benefits of being a fantasy writer. I want the stories to feel familiar enough to make readers feel at home, but I twist most of the myths just enough to give my characters better angles to grow from. The Pines and the Native American tribes who lived there gave rise to the inclusion of Coyote in my first book. And I have to admit, I’ve let him drive the narrative as much as Arienne has. He’s mythical, legendary, and just human enough to make reviewers keep mentioning him. Coyote was the structure from which Kai blossomed.

The Relic Hunter Series travels the world now, but honestly, I could have stayed in New Jersey forever. Every country’s mythology is rich and varied, overflowing with transformative stories deeply rooted in culture, geography, and worldview. There’s no shortage of inspiration for anyone willing to dig – and I just happen to love the digging.

At the heart of it all, myths give me a place to start. They’re the skeleton of the story that I can bend, shape, and sometimes completely twist to fit the characters who show up demanding space on the page. They’re ancient, familiar, and endlessly surprising, and they let me explore the world one legend at a time. And those legends have led me to dig deeper, and what I’ve found is a vast common ground that so many cultures share. But that’s a discovery for a future post.

The Architect of the Jinn Realms

Published on by Leigh

I’ve spent this month knee-deep in the Jinn Realms and unexpectedly discovered why I almost never finish high-fantasy novels.

As you might know, I usually write contemporary fantasy (“low fantasy”), where the magical world is familiar and I don’t have to re-invent physics just to get Ari through a doorway. But the next Relic Hunter book takes us into Egypt, and that’s where Sidaffri can slip back home and orchestrate our first adventure in the Sand Fire series. 

And when Sidaffri’s sister kidnapped us, I had to start describing the Jinn Realm.

At first, I did what any history geek would do: I dove into ancient lore from the surrounding region, conveniently tucking the gateway to Na’har somewhere near Egypt. That research was fun, but as research generally does, it began multiplying. 

Place names. Magical systems. Cultural structures. Mythic hierarchies. Suddenly, I had a cheat sheet to help me remember my own notes.

Which is when I realized something important:

That’s EXACTLY why I rarely make it through a high-fantasy book.

So… I U-turned.

The second draft (which is technically still a first draft) is cleaner, lighter, and far more “me.” I’ve been listening to Brandon Sanderson’s brilliant lectures on worldbuilding, and while some writers have the patience to spend years constructing a universe, I absolutely do not. I admire that level of detail from a respectful distance – with a cup of coffee and no pressure to write that sort of book.

For me, the Jinn Realms need to stay familiar, with just enough magic to twist reality in fun ways without requiring a glossary.  And technology – because when the realms divided, the jinn certainly didn’t stay stuck in the dark-ages.  Think sunlit sandstone archways in Na’har with cool tech that makes life better in the desert.  

The goal is simple:

  • Names you can remember.
  • Magic that feels exciting, not exhausting.
  • A world that sweeps you in without ever making you feel lost.

It’s been more challenging than I expected. But challenge usually means growth, and this world has definitely made me a sharper writer. Everything I add has to serve double-duty: deepen the world and push the story forward. If it doesn’t, it gets cut.

(And yes, there’s been a lot of cutting.)

But all that trimming is so I can deliver a book you’ll disappear into without actually getting lost.

In my next post, I’ll bring you into Na’har and introduce you to the Court of the Enira – Balsara, Sidaffri’s sister and queen of the Jinn. There’s one reveal in particular that made me smile and think, “Oh. So that’s who she really is.”

And keep an eye on my sidebar and Instagram because I’ll be sharing some Jinn-Realm eye candy very soon.

Meet the Muse…

Published on by Leigh

Interview With My Muse: The Woman Who Hijacks My YouTube History

Interviewer (Me): Thank you for agreeing to this interview. You’ve been lurking in my creative process for… what, several years now?

Muse: Decades, darling. I’ve been around longer than your browser history. You simply didn’t notice me until you started researching where that pesky sword could have gone to. Now, you’re looking for entire armies! You’ve certainly branched out.

Interviewer: Yes, about that. I’ve been meaning to talk to you about the way you hijack my YouTube recommendations lately. Last week you sent me from “10-Minute Yoga for Tight Shoulders” to a three-hour documentary the lost army of Cambyses.

Muse: And you’re welcome. The shoulder tension was emotional. Your protagonist needed to get grounded in the myths. If you don’t know where they start, how can you possibly track them through all of those shifting dunes?

Interviewer: You also interrupted my grocery shopping to insist I watch that Egyptian Magic lecture in the parking lot.

Muse: You didn’t even remember to bring a grocery list, so you were just begging for an excuse. Besides, you only really need bananas and coffee, and you can’t expect inspiration to wait for wi-fi.

Interviewer: Since my readers haven’t met you yet, how would you describe yourself?

Muse: Oh, I do hate labels, but for you, darling, I’ll try. I’m the kind of person who always smells faintly of sandalwood and old books. I take my cues from the world at large, sampling all of the history and characters that have walked the timelines, never ruling out an interesting conversation with anyone who happens by. You never know when you’ll stumble on a bored coyote looking for a new partner and an adventure.

Interviewer: That… is scary accurate. How did you get assigned to me?

Muse: Assigned? Darling, I chose you. I saw someone who loves history, mythology, and pretending they’re “just going to skim one article.” You were ripe for a different path, and it worked – but you did take your time making the commitment, didn’t you?

Interviewer: I had obligations. What would you say is your main job?

Muse: To nudge you. To whisper. To drag you by the sleeve into the deep end of research when you thought you were just checking your email. To point out the archaeological footnote you almost ignored. To insist that you write stories with bones in them; stories rooted in real people who lived and dreamed long before you found their memories.

Interviewer: I’ve noticed you usually work at inconvenient hours.

Muse: Inspiration is a feral creature; it does not obey office hours – and you should be one to talk! The neighbors are talking darling, they see your lights on at four a.m..

Interviewer: Do you ever think about giving me a heads-up before you strike?

Muse: Absolutely not. Where’s the fun in that? Besides, your best ideas arrive when you’re trying to do something sensible and ordinary, like sleep.

Interviewer: One last question: any message for my readers?

Muse: Treat history like a mirror, mythology like a map, and your imagination like a half-wild garden – don’t weed it too soon because something interesting might bloom. And if your YouTube history suddenly develops an obsession with ancient irrigation systems…
(smiles)
…you’re welcome.

Snarky Markety

Published on by Leigh

I know I need to market. But marketing for indie authors like me is a life of keywords, spreadsheets, and acronyms like CTR and CCP – and that just makes my brain hurt. I try. Really.

But I spend a day analyzing, creating, posting – and PAYING – and then all I’ve done is create MORE work for myself because the following week, I get to “look at the data” and do it all over again. A day of marketing is not only unpleasant for me, but it sucks time out of my writing. Let me tell you about my marketing journey and why I’m choosing NOT to market at this point (much to the detriment of my bottom line).

When I started this full-time writing career, I had visions of working for myself, publishing on a regular basis – and once Shattered Magic was out in the world, I turned my attention to my biggest failure – marketing.

I’m terrible at it. I’ve tried TikTok and Pinterest, I run ads, and I’m pretty reliable at posting on Instagram – but all that time is a swing and a miss in terms of moving books. When I sit down to look at the data, I feel like a total failure—and that mindset affects my productivity as a writer.

So when I made the switch to authorhood, I found someone whose work in book marketing I respect and admire – someone I love to watch and whose advice I trust – and I signed up for a course. I worked that course to the best of my ability – but as much as I loved the creator, I just couldn’t get excited – so I plodded through lessons and homework and webinars for a full 30 days and guess what happened to my next book?

Nothing.

And by nothing I mean I didn’t write a single sentence in 30 days. I just couldn’t. I was so frazzled and beat down by the marketing stuff that I had zero left to give my books.

That 30 days cost me 90 days of writing because I was so discouraged and defeated I had zero joy left for my craft.

Zero, people!

But the stress-quotient was off the charts! My writing space became a place I actively avoided, rather than a place I ran to for refuge.

I could tell because my desk was obsessively clean. Things were filed. Things were labeled. My fancy gold binder clips sparkled while keeping my marketing plan, task lists, and keyword notes all neatly contained. And my computer folders were labeled with spreadsheets, comp authors, and data, data, data.

The clean desk was a sign I was in deep trouble.

It was not the course creator’s fault. That person is amazing. It is a matter of temperament – MY temperament.

A temperament that was cultivated over years of doing exactly that sort of data-driven, spreadsheet-based work in an entirely different profession. A profession I left to write books.

So, I dropped the course. Then I did 60 days of “marketing detox” and realized something: I can spend days writing ad copy and get ZERO joy, or I can spend days writing new adventures. If they sell – great – but I’m not going to sell anything if I can’t write – and if marketing kills writing then I need to banish marketing.

Maybe this will change, but for now, my goal is words on a page. Not ads in a folder – and my binder clips? Safely stored in my desk where they can’t trigger me.

Yes, we’re getting closer

Published on by Leigh

We’re getting closer to the release of the latest adventure in the Relic Hunter Series. As my newsletter subscribers know, I’ve taken this adventure to a whole new area of the world – or should I say to an Ancient area? Either way, it will be a fun ride with lots of tension, twists, and turns – and yes, a lot of snappy dialogue and fun scenes!

So for those of you who are into the history behind my adventures, a bunch of new links are coming soon for some added bonus content. I’ll post those in the VIP section after reviewing them again. So stay tuned! We will have a lot of fun in the next few months!

First, know your girl

Published on by Leigh

As a pattern designer, every collection started with “knowing my girl” – who was going to fall in love with the pattern? What products would they be interested in? I take the same approach to write my books. I know my girl…Arienne, Caly, Cleo, and all of the other strong women I create as the imperfect heroines of my stories. For this post, I wanted to give you a glimpse of Calypso Mendelsohn, my Salem, MA psychic. Since I have a visual arts background, I thought it might be fun to give you images this time – as well as a few quotes – as if Caly had taken over my blog!

A day at the Bazaar

Published on by Leigh

This is one of the things I love most about being a writer: I get to have adventures from the warm comfort of my office, and Theo gets to go everywhere with me. Today is a little cold (there’s a good amount of frost on the leaves) and I have a billion things that I should be doing as a productive adult. Instead, I’m heading off to scout locations for Ari’s next adventure.

After I’m done scouting the Bazaars of Turkey and Iran, I might swing by a party that Caly should be attending in the Southie neighborhood of Boston. I had dinner last night with Darius, the great Persian King, and I visited with a few art forgers in my living room. It’s amazing what I can find out on my smart TV.

As I look out over my backyard this morning, I know that forsaking my weekly chores for research is the right decision. I’m back at my day job in this post-covid world (it’s not really post-covid, yet…but I’m an optimist) and I just want to escape from that pressure cooker on the weekend and do something enjoyable. Not that my job doesn’t have enjoyable moments, but there’s very little magic happening, and witty banter is kept to a minimum because my colleagues and I are all so busy.

I have a sense of time pressure, though. Construction on Theo’s fence began this week and my mind is starting to drift to garden plans and plant propagation. When the impending snow melts and the first flush of spring arrives, I’ll be outside creating my oasis. It’s been a twenty-year dream of mine, and I’m finally going to make it happen. I’ll even have a blog about it in case you’re interested (after all, I am a writer and artist…so blogging is just second nature and it keeps my writing muscles flexed).

So I must get back to the bazaar! Time is ticking and I need to tell you all about what’s happening for Ari and Caly before it’s time to start working in the garden!

Coming Soon!

Published on by Leigh

I’ve been super busy writing and I wanted to let you know what’s coming up in the near future.

New Content for my VIP list! I have a new short that’s coming out soon. In Resistant Magic, Kai mentions a character you haven’t heard of: Simon Jampa. My VIP list members will get to read all about him in Simon’s Lake.

Since my VIP list has already received two short stories from me, I’m bundling them with a third short into a little box set of stories that take place outside of the series timeline. In the new box set, I’ve included Hedgehog Tea – a short story that I wrote several years ago for the “A Cup of Christmas” Collection. It’s a cute little story about Salem, MA and some of the interesting characters in that town. Oh, and Calypso Mendelsohn has a walk-on scene.

Speaking of Calypso (Caly) – her new adventure is coming out this fall. This time she’s in over her head because she’s settling into her new life. Trouble finds Caly – usually by walking into her booth at Foretold and presenting her with an opportunity to use those less savory skills! It’s still just too much to resist for my favorite psychic (outside of Nan, that is).

For Ari’s fans – don’t worry – the next adventure is in the works. A few of you have mentioned wondering how the new characters will adjust to the modern world so I’ve given you the answer (and a whole new mystery) in Ancient Magic. This is EXACTLY why those reviews and comments are so important to me as an Indie Author.

UPDATE: The new short story my VIP list just got is actually about the Gnomes because Simon’s story is developing into a novella!

Maybe the universe appreciates my new process.

Published on by Leigh

It doesn’t usually happen this fast for me – and perhaps I’m crowing about a fleeting moment of success – but it’s a big deal for me, especially this week.

I’ve been unmotivated, stressed, and generally frustrated by my inability to get into my office and produce something good – something that would make me keep writing the next installment in the Relic Hunter series so I can publish it sooner rather than later. All week I’ve struggled because the last paragraph I wrote last weekend just didn’t seem to have a direction. I spent the rest of the week obsessing over the fact that I had no plan, no vision, and I began to worry that perhaps I’d never write another book as good as the last one!

So today (out of desperation) I went searching for the relic that would become part of the basis for the new book. Within an hour I could see the whole book unfolding. The threads were clear – I had a relic, and I had a plan. The minute it all slid into place, I sat back and realized the angst of this past week was due to a lack of trust in my process as a writer. Part of that process is NOT WRITING.

Yes, that is what I meant. Writing daily and powering through scenes that are going nowhere might work for some authors but it does not work for me – EVER. When I get stuck I need to walk away, completely abandon the project and do other things for a while until I have a moment when clarity descends as if from heaven and I’m back at the computer again, writing furiously to get all of the ideas out before they evaporate again – because that’s a different part of the process, aparently.

When I’m not writing I’m creating the covers for stories I intend to write someday. I’m creating blog images, facebook posts, instagram puzzles – anything that’s NOT writing – but a million things related to my writing. That’s how I work. Abandonment isn’t ever total with me, it’s just that I move on to another aspect of being an author. And it’s okay that my method isn’t everyone else’s method for getting the next book done. The point is, that’s what works for me, and I need to trust that if I give it enough time I will have the epiphany that will make it all come together.

I think the rest of life needs the same philosophy. How many times have you struggled and worried to make something happen only to walk away and have it land in your lap? I’m not saying give up the struggle – I’m saying give up trying to force it to happen on your timeline. Act intentionally, lay the groundwork, and situation will develop when it’s right – without all of the angst and suffering you usually endure.

So go sit on the couch, crack open a new book (preferably one of mine), and breathe. The answers are coming, but the universe, the muses, and miracles don’t work on your schedule but when it’s time for them to arrive, they do.

Stay sane, stay safe, and go binge watch the Indiana Jones movies.

Best,

Leigh